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Only a few songs as Elvis plays it straight as Dr John Carpenter. Mary Tyler Moore stars opposite as an incognito nun with a mission to help Dr Elvis clean up the ghetto he lives in. Can the King compete against God for Mary’s heart?
Set on the tiny inhabited island of Muck, off Scotland’s west coast, Cindy Jansen’s cinematic and haunting documentary explores how difficult it is to change the habits of a lifetime.
Dr. Emma Collins and her team are spending their third summer on the island of Little Happy studying the effect of climate change on the great white sharks who come to the nearby nursery every year to give birth. Along with the last two inhabitants of this former fishing village, their peaceful life is disrupted when a “scientific” team led by her ex-boyfriend and marine biologist Richard show up looking for three bull sharks who we soon learn aren’t just any bull sharks.
14-year-old Arrietty and the rest of the Clock family live in peaceful anonymity as they make their own home from items “borrowed” from the house’s human inhabitants. However, life changes for the Clocks when a human boy discovers Arrietty.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
In the distant future, Jack Deadman and his military team are the final hope to save our dying earth from its hellish apocalypse. The mission is to enter the underground world of Labyrinthia and retrieve the water stolen by the savage inhabitants below… 10 years later, the mission has failed, and Jack Deadman exists in isolation, trapped and buried deep within Labyrinthia. A lone wolf anti-hero, changed by failure and guilt. But when the opportunity to escape arises once again, Jack will begin a quest for vengeance and redemption in one last attempt to escape from Labyrinthia.
In the suburbs of Rome, two disparate lives with only desire for vengeance and redemption in common find their destinies intertwined. Massimo’s mind is plagued with images of his wife’s violent death at the hands of a criminal gang involved in the production of snuff films. With every memory of the woman he loved replaced by unforgettable images of her horrific final moments, Massimo sees only one chance to take back his life: find the wealthy individual who commissioned the sickening murder – and make them pay. Barabba, a recently released convict, hopes to keep a promise he made to his father and start a new life with his brother, Spaccio, far from the violent world that they used to inhabit. Discovering that his brother is involved in the snuff gang, Barabba seeks to change things the only way he knows how: through violence and bloodshed.
Littlefoot and the gang meet a shy newcomer, Ali, but the pleasantries stop there. There’s a dire environmental theme to this third sequel in the series, in which the world’s weather changes beyond the Great Valley, and what had been dry land is now a “land of mists.” The shift brings new creatures who push out older inhabitants, and Littlefoot sees these radical changes for himself when he has to venture into the area to find a medicinal flower for his sick grandfather. While the animation is slow and contained the way direct-to-video cartoon releases often are, the story is sound and the now-familiar characters are memorable.
Another pedestrian has been hit along Twygate Boulevard, this time at the intersection of Juniper Lane. It is the fifth time in three years, and all of its victims have been the elderly. The “answer” to the problem is to put up yet another traffic light that will en-snarl traffic. While everyone agrees the “old folks” should have a safe access over a busy thoroughfare, a group of young people have had enough. They believe the answer to really protecting these seniors is to change their lifestyles and habits instead. Their appearance at the neighborhood board meeting will transform the usual rubber stamp agenda into a manic evening of misstatements and misinterpretation. A sidesplitting comedy of humans being human, “Juniper Lane” takes a funny, fresh new look at the generation gap.
There is a centuries-old seawall in the ancient port of Akka, located on Israel’s northern coast. Today, Akka is a modern city inhabited by Muslims, Christians, Jews, and Baha’i, but its history goes all the way back to rule of the Egyptian Pharaohs. Young people dare to stand atop the 40′ one-meter thick block structure and risk their fate by jumping into the roiling sea. This perilous tradition has continued for many generations, and has become a rite of passage for the children of Akka. “It’s Better to Jump” is about the ancient walled city of Akka as it undergoes harsh economic pressures and vast social change. The film focuses on the aspirations and concerns of the Palestinian inhabitants who call the Old City home.
Batavia City, a beautiful city that no longer safely inhabited. Robbery, violence, and a variety of increasingly rampant criminality. In the midst of this chaotic city, Srimaya, a cafe waitress who dreams of becoming an actress never thought that dream would change her life. Her meeting with Bono, a film director and his friend, Wawan, will take her on a dangerous adventure full of thrilling action with lives at stake. Turning her from an ordinary girl into Batavia City heroine of hope, Valentine.
